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FilmKalender

  • zo 20 okt 10:00 013 CIFF - Newton Lees meer Koop direct tickets
  • 013 CIFF - Newton
    Voor alle filmtijden:
    India’s submission for the Best Foreign-Language Film Academy Award in 2017, Amit V. Masurkar’s darkly comic political satire centres on Newton Kumar (Indian star Rajkummar Rao), an idealistic government clerk entrusted with a task that appears deceptively simple: conducting elections in a remote village in the jungles of central India, where there are less than 100 potential voters. But the bushes are full of Communist guerrillas engaged in armed insurrection, the security force charged with protecting Newton’s team is openly hostile, and the indigenous locals are both afraid of guerrilla reprisals for voting and totally in the dark as to who the candidates actually are. ‘Free and fair elections’ in a minefield like this will require all the moxie Newton can muster, for, as they say in the jungle, ‘The more things change, the worse they will get’.

    ‘The subversive genius of Amit V. Masurkar's sophomore feature Newton is how it brings out the best and the worst of the electoral system in the form of an offbeat comedy… This smart indie is amusing all the way to its bittersweet conclusion. The professional cast is well-versed in ironic social nuance. Both exasperating and endearing in the title role, Rao again shows he is a chameleon actor whose gift for poker-faced comedy revs up the figure of a rigid young civil servant.’—Deborah Young, Hollywood Reporter
  • zo 20 okt 10:30 013 CIFF - Holy Air Lees meer Koop direct tickets
  • 013 CIFF - Holy Air
    Voor alle filmtijden:
    Writer-director-star Shady Srour’s alternately funny and compassionate satire tackles a subject you rarely see onscreen—the lives of modern Arab Christians scraping by in Israel—and it does so in a wholly winning way. Adam (Srour), a gloomy, unsuccessful, 40-ish Arab-Christian businessman living in Nazareth with his pregnant wife, decides to bottle the ‘holy air’ from Mount Precipice and sell it to tourists. But there are a lot of people and circumstances—from gangsters demanding protection money to his dying father—standing in his way… Reminiscent of the work of Elia Suleiman and replete with inspired visual gags, Holy Air drolly captures the spirit of a very confusing place, where Muslim, Jew, and Christian are constantly either at odds with one another or competing for the tourist dollar…

    ‘A winningly satiric comedy that’s as tenderhearted as it is sly… Srour has a soulful sad-sack quality as his film’s central character, Adam, a Christian Arab Israeli who’s not quite ready for fatherhood or for the painful fading of his ailing father… The humour in Holy Air is inseparable from its poignancy, and every element of the film expresses that interconnection, from the performances to the spirited, melancholy-laced score by Habib Shehadeh Hanna.’—Sheri Linden, Hollywood Reporter
  • zo 20 okt 11:00 013 CIFF - The Line Lees meer Koop direct tickets
  • 013 CIFF - The Line
    Voor alle filmtijden:
    Winner of the Best Director award at the 2017 Karlovy Vary International Film Festival, Peter Bebjak’s thriller is all about crossing ‘lines’—both physical and moral—and the tragic consequences for doing so in the no-man’s-land straddling the Slovak Republic-Ukraine border. It’s 2007 and the Slovak Republic is about to join the European Union, something that could prove deadly for Adam (a riveting Tomáš Maštalír) and his cigarette-smuggling business. A husband and a father with a moral code—no involvement with hard drugs for him and his team—Adam is an anachronism, especially in relation to his thoroughly immoral, no-holds-barred Ukrainian rival across the border. With change coming, the stakes rising, and betrayal looming, Adam is backed into a corner…

    ‘Redolent of The Godfather and The Sopranos with a soupçon of Animal Kingdom and a welcome dose of black humour, The Line is an entertaining, fast-paced crime thriller… [It] leaps to the top of its genre class with muscular direction from Slovak director Peter Bebjak; a genre-savvy screenplay by Peter Balko; unusual locations spectacularly captured; a propulsive score; and impressive performances, in particular, a go-for-broke, extremely physical turn from Slovak theatre and TV star Tomáš Maštalír as the lead.’—Alissa Simon, Variety
  • zo 20 okt 13:15 013 CIFF - That trip we took with dad Lees meer Koop direct tickets
  • 013 CIFF - That trip we took with dad
    Voor alle filmtijden:
    Set amidst the turbulent events of 1968 in Eastern Europe—the crushing of the Prague Spring by the Russian Army, the consolidation of power by future Romanian dictator Nicolae Ceaușescu—writer-director Anca Miruna Lăzărescu’s moving and funny dramatic comedy draws on her own father’s story for a road-trip tale unlike any other. Romanians of German background, family Reinholtz consists of curmudgeonly father William (Ovidiu Schumacher) and sons Mihai (Alex Mărgineanu), a conflicted doctor, and younger firebrand Emil (Răzvan Enciu). When Dad becomes ill and requires special surgery, the trio embarks on a trip to Germany—and things go awry almost immediately, as their arrival in Czechoslovakia coincides with the movement of a column of Russian tanks… The humour on display here is pointed, while the contradictions and confusions of life in the Eastern Bloc are laid bare. The film’s thorough grounding in period detail also adds immensely to its charm and poignancy.

    ‘A warm and engaging family dramedy… Lăzărescu displays a talent for moving between humour, drama, and tragedy and an eye for framing a moment—whether it is the sight of the Skoda on the road with a tank or the boys getting there hands on more Western LPs than they ever dreamed possible. The period is recreated in detail and given a burnished glow by cinematographer Christian Stangassinger's warm cinematography.’—Amber Wilkinson, Eye for Film
  • zo 20 okt 13:30 013 CIFF - Genesis Lees meer Koop direct tickets
  • 013 CIFF - Genesis
    Voor alle filmtijden:
    Probably the best Canadian film of 2018, Philippe Lesage’s audacious, double-focused coming-of-age drama follows the differing trajectories of Salinger-reading 16-year-old Guillaume (Théodore Pellerin, riveting) and his older, more hedonistic half-sister Charlotte (Noée Abita), as both navigate the minefields of romance and sexual actualisation. Guillaume is struggling with his feelings for boarding-school classmate Nicolas, a jock-ish type, while Charlotte’s seemingly strong relationship with her boyfriend Maxime suffers a shock when he suggests that a lifetime is perhaps too long a time to stay together… Lesage and his strong cast bring rare intimacy and thrilling vibrancy to a sometimes emotionally harsh story, and the director caps it with a bold coda that brings the meaning of the title into clear focus. This is filmmaking of the first rank.

    ‘A yearning, bruising vision… Lent human depth and texture by Lesage’s documentary background, this… is uncommonly tender, nervy coming-of-age storytelling… Cinematographer Nicolas Canniccioni… wields a distant, implacable gaze on scenes rife with movement and conflict, from sports practice to pillow fights to acts of unconscionable violence; Lesage’s filmmaking, with its unhurried editing and eerily echoing music cues, is in expert sympathy with his hovering, out-of-time protagonists… Lyrical and horrifying.’—Guy Lodge, Variety
  • zo 20 okt 14:00 013 CIFF - Volcano Lees meer Koop direct tickets
  • 013 CIFF - Volcano
    Voor alle filmtijden:
    ‘It is total anarchy. If you get used to it, you’ll survive.’ So says the eccentric Vova (a deadpan Viktor Zhdanov) to our hero, city-bred interpreter Lukas (Serhiy Stepansky), after the latter finds himself separated from his fellow OSCE security inspection team in Ukraine’s war-torn southern steppes. Things begin to get very strange very quickly for the clueless outsider: he is quickly relieved of his passport and money, and, with Vova and his beautiful daughter Marushka (Khrystyna Deilyk) doing their best to help, Lukas is led into a surreal pilgrim’s progress that would test anyone’s sanity… Roman Bondarchuk’s visually resplendent (kudos to cinematographer Vadym Ilkov for some truly stunning imagery) and very dark comedy charts one man’s descent into a world without rules, a world where a city boy might find himself thrown into a sun-baked pit for no reason—and maybe learn a thing or two, adapt, and even start to love his crazy surroundings…

    ‘A poetically surreal love letter to an untamed corner of the Wild East… [Bondarchuk’s film is a] mix of Kafka-esque road movie and contemporary Western, rich in sumptuous visuals and lyrical strangeness. There are hints of David Lynch’s macabre absurdism here, but also some agreeably carnivalesque interludes reminiscent of Federico Fellini [and] Emir Kusturica… A beautifully crafted work.’—Stephen Dalton, Hollywood Reporter
  • zo 20 okt 16:15 013 CIFF - Holy Air Lees meer Koop direct tickets
  • 013 CIFF - Holy Air
    Voor alle filmtijden:
    Writer-director-star Shady Srour’s alternately funny and compassionate satire tackles a subject you rarely see onscreen—the lives of modern Arab Christians scraping by in Israel—and it does so in a wholly winning way. Adam (Srour), a gloomy, unsuccessful, 40-ish Arab-Christian businessman living in Nazareth with his pregnant wife, decides to bottle the ‘holy air’ from Mount Precipice and sell it to tourists. But there are a lot of people and circumstances—from gangsters demanding protection money to his dying father—standing in his way… Reminiscent of the work of Elia Suleiman and replete with inspired visual gags, Holy Air drolly captures the spirit of a very confusing place, where Muslim, Jew, and Christian are constantly either at odds with one another or competing for the tourist dollar…

    ‘A winningly satiric comedy that’s as tenderhearted as it is sly… Srour has a soulful sad-sack quality as his film’s central character, Adam, a Christian Arab Israeli who’s not quite ready for fatherhood or for the painful fading of his ailing father… The humour in Holy Air is inseparable from its poignancy, and every element of the film expresses that interconnection, from the performances to the spirited, melancholy-laced score by Habib Shehadeh Hanna.’—Sheri Linden, Hollywood Reporter
  • zo 20 okt 16:30 013 CIFF - The Line Lees meer Koop direct tickets
  • 013 CIFF - The Line
    Voor alle filmtijden:
    Winner of the Best Director award at the 2017 Karlovy Vary International Film Festival, Peter Bebjak’s thriller is all about crossing ‘lines’—both physical and moral—and the tragic consequences for doing so in the no-man’s-land straddling the Slovak Republic-Ukraine border. It’s 2007 and the Slovak Republic is about to join the European Union, something that could prove deadly for Adam (a riveting Tomáš Maštalír) and his cigarette-smuggling business. A husband and a father with a moral code—no involvement with hard drugs for him and his team—Adam is an anachronism, especially in relation to his thoroughly immoral, no-holds-barred Ukrainian rival across the border. With change coming, the stakes rising, and betrayal looming, Adam is backed into a corner…

    ‘Redolent of The Godfather and The Sopranos with a soupçon of Animal Kingdom and a welcome dose of black humour, The Line is an entertaining, fast-paced crime thriller… [It] leaps to the top of its genre class with muscular direction from Slovak director Peter Bebjak; a genre-savvy screenplay by Peter Balko; unusual locations spectacularly captured; a propulsive score; and impressive performances, in particular, a go-for-broke, extremely physical turn from Slovak theatre and TV star Tomáš Maštalír as the lead.’—Alissa Simon, Variety
  • zo 20 okt 16:30 013 CIFF - The Dragon Defense Lees meer Koop direct tickets
  • 013 CIFF - The Dragon Defense
    Voor alle filmtijden:
    First-time director Natalia Santa’s droll drama about three middle-aged men whose friendship centres on chess manages to draw trenchant parallels between the careworn lives of its protagonists and the shabby bars, cafés, casinos, and chess clubs (including the famous Lasker club) that continue to age (dis)gracefully on the streets of Bogotá. Samuel (Gonzalo di Sagarminaga, who also wrote the score), an underemployed math tutor and divorced father, spends most of his time playing chess and avoiding romantic involvement, much as his buddies Marcos (Manuel Navarro) and Joaquin (Hernan Mendez) do. Something has to change… Drawing comparisons with the work of Aki Kaurismäki for its melancholic charm and affably down-at-heal characters, The Dragon Defense also displays Santa’s intuitive way with composition and imagery.

    ‘Santa harvests quiet moments of humanity and poetry from the humdrum lives of [the] three washed-up older men… The Dragon Defense’s keen sense of how people can be moulded by their environment until they become part of the background is refreshingly original and conveyed with real directorial panache… [This is] a film whose charms build by slow accretion—not least of them the friendship of these three rather pointless but still oddly engaging men. Santa’s direction is confident, especially in terms of the rhythm and pacing.’—Lee Marshall, Screen
  • zo 20 okt 19:00 013 CIFF - Winter Flies Lees meer Koop direct tickets
  • 013 CIFF - Winter Flies
    Voor alle filmtijden:
    Two mismatched boys in a stolen Audi wend their way clear across the Czech Republic in Olmo Omerzu’s road movie, an alternately melancholic and uplifting tale that won the Czech Lion (the Czech equivalent of the Oscar) for Best Film earlier this year and netted Omerzu the Best Director award at the Karlovy Vary International Film Festival in 2018. Equally playful and hard-edged, funny and poignant, the film follows 14-year-old Mára (newcomer Tomáš Mrvík in a star-making turn), a supposedly tough skinhead, and 12-year-old Heduš (Jan František Uher, irresistible), a chubby sidekick dressed in camouflage clothing and carrying a BB gun, as they make their way to Mára’s revered grandfather’s home. What they are running away from is never made explicit, but the journey’s the thing: along the way they acquire an unwanted dog, lust after and eventually befriend a lovely young hitchhiker (Eliška Křenková), and learn some hard life lessons. Omerzu’s introduction of a little magic realism into this special coming-of-age narrative gives it the wings that allow it to soar…

    ‘Delightfully unsentimental… [Cinematographer] Lukáš Milota frames the action impeccably, with hard, desaturated imagery never romancing the dismal, drizzly roadside locations, while still having a sullen beauty that also complements [the film’s] moments of deadpan humour… There are moments of magic and moments of mayhem, but the emotional effect of this you-and-me-against-the-world story is a piercingly bittersweet melancholy that anyone ever has to grow up…’—Jessica Kiang, Variety
  • zo 20 okt 19:15 013 CIFF - That trip we took with dad Lees meer Koop direct tickets
  • 013 CIFF - That trip we took with dad
    Voor alle filmtijden:
    Set amidst the turbulent events of 1968 in Eastern Europe—the crushing of the Prague Spring by the Russian Army, the consolidation of power by future Romanian dictator Nicolae Ceaușescu—writer-director Anca Miruna Lăzărescu’s moving and funny dramatic comedy draws on her own father’s story for a road-trip tale unlike any other. Romanians of German background, family Reinholtz consists of curmudgeonly father William (Ovidiu Schumacher) and sons Mihai (Alex Mărgineanu), a conflicted doctor, and younger firebrand Emil (Răzvan Enciu). When Dad becomes ill and requires special surgery, the trio embarks on a trip to Germany—and things go awry almost immediately, as their arrival in Czechoslovakia coincides with the movement of a column of Russian tanks… The humour on display here is pointed, while the contradictions and confusions of life in the Eastern Bloc are laid bare. The film’s thorough grounding in period detail also adds immensely to its charm and poignancy.

    ‘A warm and engaging family dramedy… Lăzărescu displays a talent for moving between humour, drama, and tragedy and an eye for framing a moment—whether it is the sight of the Skoda on the road with a tank or the boys getting there hands on more Western LPs than they ever dreamed possible. The period is recreated in detail and given a burnished glow by cinematographer Christian Stangassinger's warm cinematography.’—Amber Wilkinson, Eye for Film
  • zo 20 okt 19:30 013 CIFF - Hands of a Mother Lees meer Koop direct tickets
  • 013 CIFF - Hands of a Mother
    Voor alle filmtijden:
    Winner of the Young German Cinema Award for Best Director as well as the Best Actor prize (for lead Andreas Döhler) at the Munich Film Festival, Florian Eichinger’s perfectly acted drama is a rare thing these days: a film for thinking adults that confronts a difficult subject—parental child abuse—with intelligence and compassion, while eschewing any hints of melodramatic histrionics.

    On a boat cruise, 39-year-old husband and father Markus (Döhler, doing a marvellous job in a very demanding role) is struck by a memory. He comes to realise that his mother, Renate (Katrin Pollitt), sexually abused him when he was a child. (Statistics suggest that in about 10 to 20 per cent of sexual-abuse cases, the perpetrators are women and female teenagers.) To his surprise, his mother immediately admits her crimes. How does one come to terms with such a thing? This is the gist of Eichinger’s fine film as he explores the psychological and professional fallout for Markus and everyone in his family, including his wife, Monika (a superb Jessica Schwarz) and, not least, Renate herself. Amongst many other admirable qualities, the film is notable in that it never caricatures anyone. Yes, there are some shocking moments, but they are perfectly justified and well earned. The film also has masterly pacing: there is a tension running throughout suggesting that things may explode in a heartbeat. And, finally, Eichinger and his great cast have such confidence in what they are doing that there is not a single exploitative moment in the whole film. Remarkable!
  • Events

    Zo 13 okt. 14.00 u:
    Rund om Hausen: concerten
    Do 17 okt. 19.30 u:
    013CIFF (Cinecitta International Film Festival 
    Vr 18 okt. 10.00 u:
    013CIFF (Cinecitta International Film Festival)
    Za 19 okt. 10.00 u:
    013CIFF (Cinecitta International Film Festival)
    Zo 20 okt. 10.00 u:
    013CIFF (Cinecitta International Film Festival)
    Di 22 okt. 19.15 u:
    Filmsalon de Ontmoeting: Jeux Interdits
    Wo 30 okt. 19.00 u:
    Gay Film Special: Taxi zum Klo
    Di 5 nov. 19.15 u:
    Filmsalon de Ontmoeting
    Wo 6 nov. 19.00 u:
    Jubileum Val Berlijnse Muur: Das schweigende Klassenzimmer
    Do 14 nov. 19.00 u:
    Focus op Film: Sorry We Missed You
    Zo 17 nov. 19.30 u:Western Stars

  • 013 CIFF

    Cinecitta presenteert 17 t/m 20 oktober haar eerste filmfestival: 013 CIFF (013 Cinecitta International Film Festival). Tijdens dit unieke filmfestival zal elke avond de regisseur aanwezig om zijn/haar film in te leiden. De regisseur zal na de film vragen uit het publiek beantwoorden middels een Q&A.

    Lees meer over het festival en ticketverkoop

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