De film
Puan (English subtitles)
A philosophy prof navigates political machinations at school and the return of his nemesis – a sexy philosophy superstar – in this humane comedy. 'Deliciously droll.’ – Variety...
Tijd: 109 min
Land: Argentinië, Brazilië, Duitsland, Frankrijk, Italië
Taal:
Ondertiteling: Nederlands
Cast: Marcelo Subiotto, Leonardo Sbaraglia, Julieta Zylberberg, Alejandra Flechner, Andrea Frigerio, Mara Bestelli
Regisseur: María Alché Benjamín Naishtat
Releasedatum: 22/10/2024
Omschrijving
DUTCH PREMIERE
The Buenos Aires subway stop Puan is close to the School of Philosophy at the University of Buenos Aires, the setting for writer-director duo María Alché and Benjamín Naishtat’s funny, serious, political, playful, and, yes, philosophical dramatic comedy. When the legendary head of the philosophy department drops dead while jogging, charismatic prof Marce (Marcelo Subiotto, winner of the Best Actor award at the San Sebastián festival) seems the natural choice to succeed him – except Marce hates playing school politics. Then Marce faces the return from Germany of a nemesis of sorts (Leonardo Sbaraglia), a narcissistic, sexy, philosophy superstar (he’s dating a famous movie actress) with designs on the job... The film’s essential optimism and humanism shine through in every scene, from Marce’s pride at his feminist class-warrior wife’s rallying of an all-women group of workers taking over a factory to his belief that even the uneducated and the criminal can benefit from insightful teaching. ‘A sly, delightful, Argentinean academia comedy… Deliciously droll.’ – Jessica Kiang, Variety
The Buenos Aires subway stop Puan is close to the School of Philosophy at the University of Buenos Aires, the setting for writer-director duo María Alché and Benjamín Naishtat’s funny, serious, political, playful, and, yes, philosophical dramatic comedy. When the legendary head of the philosophy department drops dead while jogging, charismatic prof Marce (Marcelo Subiotto, winner of the Best Actor award at the San Sebastián festival) seems the natural choice to succeed him – except Marce hates playing school politics. Then Marce faces the return from Germany of a nemesis of sorts (Leonardo Sbaraglia), a narcissistic, sexy, philosophy superstar (he’s dating a famous movie actress) with designs on the job... The film’s essential optimism and humanism shine through in every scene, from Marce’s pride at his feminist class-warrior wife’s rallying of an all-women group of workers taking over a factory to his belief that even the uneducated and the criminal can benefit from insightful teaching. ‘A sly, delightful, Argentinean academia comedy… Deliciously droll.’ – Jessica Kiang, Variety
